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Gharnati is a version of the Andalusian musical style, thought to have originated in Granada, Spain, and developed after in Algeria. Gnawa – Goumari. Kacem Marseille – Nebghik Nebghik. Falcon – kg. This approach has unfortunately not always resulted in high-quality sound, but it has inevitably affected the musical significance of the anthology.

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From Fieldwork to World Music. Sebastian Yatra Ft Beret – Vuelve. In short, a newcomer to Moroccan music may not get a clear picture of the many styles of music represented here, their connections to one another, or, still less, the many musical and social issues that they entail. The repertoire of the Northeast region of Morocco, represented in this recording by Chikh Younsi and Chikh Liou, is largely based on songs performed by a male vocalist accompanied by a group of men playing qasba and agwal. Their ritual is structured on a series of dance suites dedicated to seven families of saints and spirits, each characterized by specific colors, odors, flavors, feelings, actions, and sounds Schuyler In addition to this, there are also discrepancies between the titles listed in the booklets and those on the backs of the CDs, and with the sequence of the CDs themselves for example, Hajib is listed as CD 5 of volume I while it is actually CD 6.

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abderarhim The repertoire of the Northeast region of Morocco, represented in this recording by Chikh Younsi and Chikh Liou, is largely based on songs performed by a male vocalist accompanied by a group of men playing qasba and agwal.

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And thus all of a sudden they start to get into problems; there are problems abderrabim the tuning of the instruments, the tuning of the voice and thus we decide to change …. RimK – Cactus. Gnawa – Goumari. Zedk X Skorp – Out. If this collection is not perfect, however, it is nonetheless a noble effort. After emigrating to Israel inel Fassia continued to perform for the mostly Moroccan Jewish community until her death in The booklets that accompany each volume unfortunately provide only a sketchy description of the music, very little or nothing about the artists, and no information abderrhaim individual tracks.

Recorded between andthe anthology was envisaged by Mohamed Achaari, the current Minister of Culture, who sought to safeguard the rich musical tradition of Morocco. Falcon – kg. Pause Flow – Abstrait.

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Gharnati is a version of the Andalusian musical style, thought to have originated in Granada, Spain, and developed after in Algeria. The songs, which usually accompany an all-male dance enacting the preparation for war with guns or sticks, have a rather austere character Aydoun Gnawa Ahmed Boussou [ Naima Sisse Slawia – Chofni Wfhamni. Krtas Nssa – Rest In Peace.

Unfortunately, this highly suggestive music loses most of its interest in these studio recordings. Despite the good intentions of Mr.

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Rkia Azrou – Ata Mayrikh. Later on the instruments come in to accompany the dance that may lead to possession by a saint or spirit. Hussein El Deek – Kelme Aatini. Although the Gnawa belief system is heavily influenced by Sub-Saharan religious practice, the musicians and devotees are all practicing Muslims and their songs contain many invocations to recognized Muslim saints.

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Kacem Marseille – Nebghik Nebghik. We tell them to sing other things, to give us other examples and then we make the choice.

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Ya warda mp3 file performed by el Fassia Chants patriotiques CD 6. Sia – Im Still Here.

The performers, related to the bardic tradition of the imdyazn, accompany their singing with the lotar a plucked, four-stringed lute with a pear-shaped baan covered with goat-skin. The Moroccan government has now issued more than CDs, but there remain well-established traditions that the Ministry of Culture has yet to anthologize, from the ahwash of the High Atlas to the innovative revivalist music of groups like Nass el Ghiwane.

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Unlike the more typical Moroccan style of Andalusian music, gharnati uses a small ensemble abderrhaim emphasizes solo singing. Hamza Hard – Paintball. Phobia Isaac – Smeagol.

Tflow – 7egara. Aydoun—a musicologist, composer and, at the time of these recordings, the head of the music division at the Ministry of Culture—is well-versed in a wide range of Moroccan musics. Ahmed Aydoun Rabat Rabat, March 30 th Dadju – Escort.